George Clarke

Research Areas:
Period: Early Modern Gothic, 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Gothic Masculinity, Queer Gothic, Trans Gothic, Gothic Gender
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Technology, Medicine and Science, Gothic Music, Gothic Fashion, Spirituality and Religion
Genres and Media: Animation, Arts, Fiction, Film and TV, Children and YA, Games, Comics and Graphic Novels, Poetry, Theatre and Performance, Tourism and Travel, Virtual Gothic
Regions and Cultures: Postcolonial Gothic, African Gothic, American Gothic, Antipodean Gothic, Arctic Gothic, Asian Gothic, Black Gothic, Canadian Gothic, Caribbean Gothic, Creole Gothic, European Gothic, Irish Gothic, Latin American Gothic, Middle-Eastern Gothic, Nordic Gothic, Scottish Gothic, Southern American Gothic, Tropical Gothic, Welsh Gothic
Creatures: Aliens, Animals, Ghosts, Monsters, Vampires, Zombies

I’m a gothic queen

Email: law@tgmenary.com

Brian Russell Graham

Research Areas:
Period: 18th Century Gothic, 19th Century Gothic
Gender: Female Gothic, Queer Gothic, Gothic Gender
Interdisciplinary Approaches: Folklore and Myth, Spirituality and Religion
Genres and Media: Fiction
Regions and Cultures: European Gothic, Nordic Gothic, Scottish Gothic

Brian Russell Graham, an independent scholar, is the author of four books, including his most recent publication, A Casebook Edition of The Diabolic Tragedy.

Email: brussellgraham@gmail.com
Website: https://www.amazon.com/stores/author/B004UCVOFO

Meghan Kelley

Affiliation: Manchester Metropolitan University

Research Areas:
Period: 20th Century Gothic, 21st Century Gothic
Interdisciplinary Approaches: Folklore and Myth, Technology, Medicine and Science
Genres and Media: Fiction, Film and TV, Children and YA
Creatures: Ghosts, Monsters, Vampires

Meghan Kelley is a practicing psychoanalyst studying the treatment of trauma through the lens of the Gothic.

Email: meghan.kelley@mac.com

Cat Elrod

Research Areas:
Period: Early Modern Gothic, 18th Century Gothic, 19th Century Gothic
Gender: Female Gothic
Interdisciplinary Approaches: Folklore and Myth, Gothic Music, Gothic Fashion
Genres and Media: Arts, Film and TV, Theatre and Performance, Tourism and Travel
Regions and Cultures: American Gothic
Creatures: Aliens, Animals, Ghosts, Monsters, Vampires, Zombies

SFX MUA, Costume Designer and instructor at The OC School of the Arts and Department Head of Makeup/Costumes for LA’s first immersive theatre, Delusion.

Email: CatElrod@yahoo.com
Website: https://cat-elrod.format.com

Audrey Marmol

Affiliation: University of Massachusetts Lowell

Research Areas:
Period: Early Modern Gothic, 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Gothic Masculinity, Queer Gothic, Trans Gothic, Gothic Gender
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Gothic Music, Spirituality and Religion
Genres and Media: Arts, Fiction, Film and TV, Poetry, Theatre and Performance, Tourism and Travel, Virtual Gothic
Regions and Cultures: Postcolonial Gothic, African Gothic, American Gothic, Antipodean Gothic, Arctic Gothic, Asian Gothic, Black Gothic, Canadian Gothic, Caribbean Gothic, Creole Gothic, European Gothic, Irish Gothic, Latin American Gothic, Middle-Eastern Gothic, Nordic Gothic, Scottish Gothic, Southern American Gothic, Tropical Gothic, Welsh Gothic
Creatures: Aliens, Animals, Ghosts, Monsters, Vampires, Zombies

Undergraduate student passionate about Gothic literature, exploring horror themes, the uncanny, and cultural anxieties. Aspiring scholar of Gothic fiction, history, and its enduring influence.

Email: Audrey_Marmol@student.uml.edu

Kristin Boaz

Research Areas:
Period: Early Modern Gothic, 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Gothic Masculinity, Queer Gothic, Trans Gothic, Gothic Gender
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Gothic Music, Gothic Fashion, Spirituality and Religion
Genres and Media: Arts, Fiction, Film and TV, Poetry, Theatre and Performance, Tourism and Travel
Regions and Cultures: Postcolonial Gothic, African Gothic, American Gothic, Antipodean Gothic, Arctic Gothic, Asian Gothic, Black Gothic, Canadian Gothic, Caribbean Gothic, Creole Gothic, European Gothic, Irish Gothic, Latin American Gothic, Middle-Eastern Gothic, Nordic Gothic, Scottish Gothic, Southern American Gothic, Tropical Gothic, Welsh Gothic
Creatures: Aliens, Animals, Ghosts, Monsters, Vampires, Zombies

English teacher of 24 years. I created a Gothic literature class and a modern Gothic literature class through A_G College Board. LOVE dark fiction!

Email: kblove5@hotmail.com

Éile Alyssa Rasmussen

Affiliation: King's College London

Research Areas:
Period: 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Gothic Masculinity, Queer Gothic, Trans Gothic, Gothic Gender
Interdisciplinary Approaches: Folklore and Myth, Gothic Fashion
Genres and Media: Arts, Fiction, Film and TV, Children and YA, Games, Comics and Graphic Novels, Theatre and Performance
Regions and Cultures: Postcolonial Gothic, American Gothic, European Gothic
Creatures: Ghosts, Monsters

I am an emerging Gothic philosopher currently pursuing my Masters in Global Cultures at King’s College London and exploring PhD possibilities.

Email: eile.alyssa.rasmussen@gmail.com
Website: https://bsky.app/profile/eilerasmussen.bsky.social

Teenage Vampires (Don’t) Suck: My First Encounter with the Gothic

My First Encounter with the Gothic, by Sarah C. Hurley

I was eight years old, wide-eyed and innocent, when I first encountered the Gothic. My family were on summer vacation, staying in a little family-owned motel at Myrtle Beach that we’d frequented for years. Our annual beach trip was significant for many reasons, but one thing that I especially looked forward to was the blissful promise of 24/7 access to the Disney Channel, since we didn’t have cable television at home.

One night, my parents fell asleep early, no doubt exhausted from a long day of managing my boundless vacation-enhanced energy. Left to consume pre-teen TV programming to my heart’s content, I gobbled up network staples—Hannah Montana, Good Luck Charlie, The Suite Life on Deck, Sonny with a Chance—until 10:30pm, when an unfamiliar title flashed across the television screen.

My Babysitter’s a Vampire: “No parents. No rules. No pulse.”

Lights out, volume turned low, I watched as teenage vampires and their mortal friends battled the spirit of an ancient, vengeful, sentient tree that once served as a site for druid rituals. Furious at having been chopped down, the tree sought its revenge by growing infectious weeds into the local high school’s computer system until a rag-tag group of two nerdy boys and their vampire “babysitter” defeated it by uploading a virus to the network.

My heart pounded wildly in my chest for nearly thirty minutes straight, slowing only during the episode’s requisite commercial breaks. I remember quietly getting up from the queen-sized bed that I shared with my mother, grabbing a hard-backed chair from the breakfast table, and plopping down directly in front of the television set to catch as much of the action as possible. I felt almost naughty—as if I was doing something illicit, watching something that my parents wouldn’t approve of if they’d been awake.

But one episode and I was hooked. My Babysitter’s a Vampire was all I could think about the next day, and I stayed up late that night, too, to experience the thrill again. Faced with the loss of my newfound obsession as we prepared to leave Myrtle Beach, I resolved to use my hard-earned odd-jobs money (I never received a weekly allowance) to buy the series on DVD. By some odd stroke of luck, I managed to find it a week later at Target.

My Babysitter’s a Vampire soon became an integral part of my childhood media experience and certainly played a role in shaping my fondness for all things monstrous and grotesque. After graduating to “adult” horror as a teenager and developing a particular taste for Elvira’s Movie Macabre and anything starring Winona Ryder or Christina Ricci, I completed multiple courses on horror literature while pursuing my undergraduate degree and won a fellowship to study American Gothic fiction writer Shirley Jackson (best-known for “The Lottery” and The Haunting of Hill House) in North Bennington, Vermont in 2023.

But regardless of where the Gothic takes me next—whether I continue to examine horror literature in my graduate studies or elect to turn my attention elsewhere—My Babysitter’s a Vampire will always enjoy its place of honor on my DVD shelf, where it reminds me never to fear the shadows, but instead to relish the stories best shared in the dark.

Prema Arasu

Affiliation: The University of Western Australia

Research Areas:
Period: Early Modern Gothic, 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Gothic Masculinity, Queer Gothic, Trans Gothic, Gothic Gender
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Technology, Medicine and Science, Gothic Music, Gothic Fashion, Spirituality and Religion
Genres and Media: Animation, Arts, Fiction, Film and TV, Children and YA, Games, Comics and Graphic Novels, Poetry, Tourism and Travel
Regions and Cultures: Postcolonial Gothic, Antipodean Gothic, Arctic Gothic, Asian Gothic, Black Gothic, European Gothic, Scottish Gothic, Welsh Gothic
Creatures: Aliens, Animals, Ghosts, Monsters

Dr Prema Arasu is a writer and academic at the University of Western Australia. Their research interests include weird fiction, the deep sea, and sea monsters.

Email: prema.arasu@uwa.edu.au
Website: https://premaarasu.com/

Iris Ouellette

Affiliation: Penn State Wilkes-Barre

Research Areas:
Period: 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Gothic Masculinity, Queer Gothic, Gothic Gender
Interdisciplinary Approaches: Folklore and Myth, Technology, Medicine and Science, Gothic Music, Gothic Fashion
Genres and Media: Animation, Arts, Fiction, Film and TV, Games, Poetry, Tourism and Travel
Regions and Cultures: American Gothic, Canadian Gothic, European Gothic, Irish Gothic, Scottish Gothic, Southern American Gothic
Creatures: Aliens, Animals, Ghosts, Monsters, Vampires, Zombies

Iris Ouellette is a lecturer in English at Penn State Wilkes-Barre.

Email: s.iris.ouellette@gmail.com