Ellesse Patterson

Affiliation: University of Sheffield

Research Areas:
Period: 18th Century Gothic, 19th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Gothic Masculinity, Queer Gothic, Gothic Gender
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth
Genres and Media: Fiction, Film and TV, Games, Comics and Graphic Novels
Regions and Cultures: Postcolonial Gothic, American Gothic, Black Gothic, Creole Gothic, English Gothic, European Gothic
Creatures: Ghosts, Monsters, Vampires, Zombies

Ellesse Patterson recently began her second year as a PhD student at the University of Sheffield. She is AHRC funded through the White Rose College of the Arts & Humanities (WRoCAH). Her thesis, ‘Monstrous Reproduction and Nation in the Long Nineteenth-Century British Gothic’, examines the intersection of life, death, and national terror embedded within Gothic reproduction narratives. She has previously published her research in Gothic Studies and regularly presents her research on the Gothic at conferences in the UK and internationally.

Her passion for the Gothic was ignited when she read Angela Carter’s anthology of dark fairy-tales, The Bloody Chamber and Other Tales, during her BA in English and History, sparking a deep interest in weird fiction and the macabre. After falling in love with Carter, Ellesse began to voraciously read the works of authors such as Ann Radcliffe, Matthew Gregory Lewis, Mary Shelley, and Bram Stoker.

Outside of her PhD, Ellesse enjoys creative writing, spoiling her cats, baking, exploring new places, and taking long walks (usually with a coffee in hand). She loves learning strange historical facts and thinks the best conversation starter opens with, “Did you know…?”

Email: elpatterson1@sheffield.ac.uk

Axel-Nathaniel Rose

Affiliation: University of New South Wales

Research Areas:
Period: 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Queer Gothic, Trans Gothic, Gothic Gender
Genres and Media: Fiction, Poetry, Virtual Gothic
Creatures: Ghosts, Monsters, Vampires

Axel-Nathaniel Rose is an early career researcher in English and Creative Writing and based at UNSW. He researches Gothicism online, literary reception, and queer literature.

Email: axelnathanielrose@gmail.com
Website: https://axelnathanielrose.tumblr.com

Charlotte Goodger

Affiliation: University of Worcester

Research Areas:
Period: 21st Century Gothic
Gender: Female Gothic, Queer Gothic, Gothic Gender
Interdisciplinary Approaches: Technology, Medicine and Science
Genres and Media: Fiction

Charlotte Goodger is a PhD student investigating obstetric care in women’s Gothic writing from the 21st century.

Email: gool1_25@uni.worc.ac.uk

Luke Moloney

Affiliation: Manchester Metropolitan University

Research Areas:
Period: 20th Century Gothic, 21st Century Gothic
Gender: Queer Gothic, Trans Gothic
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Spirituality and Religion
Genres and Media: Fiction, Film and TV, Games
Regions and Cultures: Arctic Gothic, European Gothic, Irish Gothic, Scottish Gothic, Welsh Gothic
Creatures: Aliens, Animals, Ghosts, Monsters

Luke Moloney is a PhD researcher attached to MMU’s Centre for Gothic Studies.

Email: moloney4294@gmail.com

Emily McDowell

Affiliation: University of Portsmouth

Research Areas:
Period: 18th Century Gothic, 19th Century Gothic, 20th Century Gothic
Gender: Female Gothic, Queer Gothic
Genres and Media: Fiction, Theatre and Performance
Creatures: Ghosts, Monsters, Vampires

Currently pursuing a Master’s in Victorian Gothic: History, Literature and Culture at the University of Portsmouth. Holds a BA in Philosophy and English Literature from the University of Sussex. Research interests include Gothic studies with a focus on vampires, class, lesbian identity, monstrosity, and isolation in literature and culture.

Email: Emily.McDowell@myport.ac.uk

Kate Garrett-Nield

Affiliation: University of Birmingham

Research Areas:
Period: 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Gothic Masculinity, Queer Gothic, Gothic Gender
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Gothic Music, Spirituality and Religion
Genres and Media: Fiction, Film and TV, Poetry
Regions and Cultures: Postcolonial Gothic, American Gothic, Arctic Gothic, English Gothic, Irish Gothic, Nordic Gothic, Scottish Gothic, Welsh Gothic
Creatures: Animals, Ghosts, Monsters

Kate Garrett-Nield is a postgraduate research student at the University of Birmingham, investigating the writing of Daphne du Maurier through a hauntological lens.

Email: kag592@student.bham.ac.uk

R Adam Wright

Affiliation: Liberty University

Research Areas:
Period: 18th Century Gothic, 19th Century Gothic, 20th Century Gothic
Gender: Female Gothic, Queer Gothic
Interdisciplinary Approaches: Folklore and Myth, Technology, Medicine and Science, Spirituality and Religion
Genres and Media: Arts, Fiction, Film and TV, Games, Comics and Graphic Novels, Poetry, Theatre and Performance
Regions and Cultures: American Gothic, English Gothic, European Gothic, Irish Gothic, Latin American Gothic, Nordic Gothic
Creatures: Ghosts, Monsters, Vampires, Zombies

R Adam Wright is a dual credit British Literature teacher and an English PhD student at Liberty University, researching how Gothic literature applies to modernity.

Email: radamwright84@gmail.com

Hatice Karaman

Affiliation: Yeditepe University

Research Areas:
Period: Early Modern Gothic, 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Gothic Gender
Interdisciplinary Approaches: Eco-Gothic, Technology, Medicine and Science
Genres and Media: Fiction, Film and TV, Theatre and Performance
Regions and Cultures: English Gothic, European Gothic, Middle-Eastern Gothic, Scottish Gothic
Creatures: Animals, Ghosts, Vampires

Hatice Karaman is an Assistant Professor in the Department of English Language and Literature at Yeditepe University. She holds a BA in Comparative Literature, an MA in English Literature, and a PhD in Philosophy. Her MA thesis focused on novels by Orhan Pamuk, Pierre Loti and Cornelia Golna, investigating the city, Istanbul, as a rhizomatic space of desire following the reflections of Deleuze & Guattari. In her doctoral dissertation, she analysed selected Shakespearean tragedies, pursuing the idea of spectral justice in the plays

Email: hatice.karaman@yeditepe.edu.tr

Éamonn Shults

Affiliation: Utah Valley University

Research Areas:
Period: 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Queer Gothic
Interdisciplinary Approaches: Folklore and Myth, Spirituality and Religion
Genres and Media: Fiction, Film and TV, Poetry
Regions and Cultures: Postcolonial Gothic, American Gothic, English Gothic, Irish Gothic, Scottish Gothic
Creatures: Aliens, Animals, Ghosts, Monsters, Vampires, Zombies

Éamonn Shults is Utah Valley University’s 2025 Outstanding Graduate for the Department of English. He is currently preparing to pursue an MFA in creative writing, where he will focus his time writing literary horror and researching Gothic histories.

Email: eamonn.thomas.shults@gmail.com

Megan Gannon

Affiliation: Ripon College

Research Areas:
Period: 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Gothic Masculinity, Queer Gothic, Trans Gothic, Gothic Gender
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Technology, Medicine and Science
Genres and Media: Arts, Fiction, Film and TV, Children and YA, Comics and Graphic Novels, Poetry, Tourism and Travel
Regions and Cultures: Postcolonial Gothic, African Gothic, American Gothic, Black Gothic, English Gothic, European Gothic, Irish Gothic
Creatures: Ghosts, Vampires

Megan Gannon is an Associate Professor of English and Ripon College. She is the author of three poetry collections, WHITE NIGHTGOWN, THE WITCH’S INDEX, and DISPATCH FROM EVERY SECOND GUESS, as well as a Gothic-leaning novel, CUMBERLAND.

Email: gannonm@ripon.edu