Death Loved Me First: a micro play

My First Encounter With the Gothic, by West Ambrose

A meadow, sunset.

YOU

(Reading aloud from a journal)

‘Slowly, slowly we find what haunts us. That is the way of the world…’

 

Enter DEATH, disguised as a beggar. He stands close to YOU, but their shadows don’t meet.

 

DEATH

For you?

 

YOU

For those who grow into it. They become as a small, white aster, unfurling to rot.

 

DEATH

Death finds them through wild words, fictitious conventions brimming with ghosts.

 

YOU

That’s the Gothic.

 

DEATH

The Brontës, The Shelleys, Stoker and Wilde.

 

YOU

Their fantasies or biographies?

 

DEATH
Their readers or lack-thereof?

 

YOU

Perhaps, stories are agreements between both. I was found. Once, long ago… In the place between sleep and light.

 

DEATH

Who found you?

 

YOU

A dark shadow that loomed over my whole life. A man in the shape of a scythe, the beam of a weird, gaunt moon descending upon my soft curls. He was taller than myself, a man before I was even born. He was centuries old, older than the century itself. He laid at the side of every speared doe and drank its blood. When he came over me, I knew I would not make it out alive. Still, I looked at him, in the spirits of winking candles, the dancing flames of the wind, the filaments burning through the gloam-hushed cosmos of nature; the passion of each sweeping rainstorm, foxgloves and belladonna, red-eyed wolves and razor-toothed whales, the smoke of tumultuous waves, crashing upwards, over and over… As he trembled.

 

DEATH

Don’t you mean you looked for him?

 

YOU

No. At him. I tilted my head back that night to receive a kiss from the most loving, universal father I ever could.

 

DEATH

You weren’t afraid?

 

YOU
He made me. I unmade him. There’s a difference— He trembled. As he stood over my cradle that night, he shook juniper pins from their boughs and the foam from each ebb. Every dark fairy has a blessing to bestow—

 

DEATH
Don’t you mean a curse? Don’t you blame him?

YOU
For cradling me as I lay dying? I was a child. I saw my death in all because it had already come. These years were a gift to me, a waking afterlife where I was no longer alone with false guides through infernal circles. Mothers and fathers may have rushed to that primordial cradle, sisters and brothers trying to affix any orientation to my untameable soul, but they failed. They weren’t first. (pause) Still, I am haunted by one thing.

 

DEATH

What is that?

 

YOU
Why he trembled. I was only a child then.

 

DEATH takes off his silly disguise. His shadow now makes a perfect crescent moon over the boy. In the deepening sunset, their shadows merge, heart-like.

 

DEATH

Because you were my whole world then. And you haunted me b-because you existed. You were sick and I was helpless to stop it. So I kept you as my own boy. I could not love you any less. I  never could.

 

They kiss, and drift out into the evening as a pair of ghosts. FIN.

Gero Guttzeit

Affiliation: Ludwig-Maximilians-Universität München

Research Areas:
Period: Early Modern Gothic, 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Gothic Masculinity
Interdisciplinary Approaches: Folklore and Myth, Technology, Medicine and Science
Genres and Media: Fiction, Film and TV, Games, Poetry, Theatre and Performance
Regions and Cultures: Postcolonial Gothic, American Gothic, Black Gothic, Canadian Gothic, European Gothic, Scottish Gothic, Southern American Gothic
Creatures: Animals, Ghosts, Monsters, Vampires, Zombies

I teach English Literature at Ludwig-Maximilians-Universität in Munich. My work is situated at the intersection of Modern British and American literary studies and guided by interests in authorship, monstrosity, and the Gothic, particularly Southern American and Scottish Gothic.

Email: gero.guttzeit@lmu.de
Website: https://geroguttzeit.de

Ben Lomas

Affiliation: University of Sheffield

Research Areas:
Period: 20th Century Gothic, 21st Century Gothic
Gender: Gothic Masculinity, Queer Gothic
Interdisciplinary Approaches: Eco-Gothic, Technology, Medicine and Science
Genres and Media: Animation, Arts, Film and TV, Games, Comics and Graphic Novels, Virtual Gothic
Creatures: Aliens, Animals, Monsters, Vampires, Zombies

Ben Lomas’ research focuses on representations of human edibility in Gothic literature and horror cinema.

Email: blomas2@sheffield.ac.uk

Mace Bielderman

Affiliation: Utrecht University

Research Areas:
Period: 20th Century Gothic, 21st Century Gothic
Gender: Queer Gothic, Trans Gothic
Genres and Media: Fiction, Virtual Gothic
Creatures: Ghosts

RMA Comparative Literary Studies at Utrecht University. Interested in queerness and contemporary cybergothic fiction.

Email: macebielderman@gmail.com

Claire Cunningham

Affiliation: Lancaster University

Research Areas:
Period: 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Queer Gothic
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Spirituality and Religion
Genres and Media: Arts, Fiction, Comics and Graphic Novels, Poetry
Regions and Cultures: Postcolonial Gothic, Irish Gothic
Creatures: Ghosts

Claire Cunningham is doing a PhD in creative writing at Lancaster University.

Email: c.reilly3@lancaster.ac.uk

Kerry Benton

Research Areas:
Period: Early Modern Gothic, 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Technology, Medicine and Science, Gothic Music, Gothic Fashion, Spirituality and Religion
Genres and Media: Fiction, Film and TV, Tourism and Travel, Virtual Gothic
Regions and Cultures: Scottish Gothic
Creatures: Ghosts, Vampires, Zombies

I am very interested in gothic culture

Email: yrreknotneb54@gmail.com

Catherine Greenwood

Affiliation: University of Sheffield

Research Areas:
Period: 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Queer Gothic, Trans Gothic
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Spirituality and Religion
Genres and Media: Fiction, Film and TV, Poetry
Regions and Cultures: Postcolonial Gothic, American Gothic, Arctic Gothic, Canadian Gothic, Scottish Gothic
Creatures: Animals, Ghosts, Monsters

Catherine Greenwood holds a Gothic Studies/Creative Writing PhD from the University of Sheffield. Her articles on Gothic poetry appear in Gramarye Journal and Gothic Natures Journal.

Email: catgee333@gmail.com

Dominique Marrone

Research Areas:
Period: Early Modern Gothic, 18th Century Gothic
Gender: Female Gothic, Gothic Masculinity, Queer Gothic, Trans Gothic, Gothic Gender
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Spirituality and Religion
Genres and Media: Arts, Theatre and Performance, Tourism and Travel
Regions and Cultures: European Gothic, Irish Gothic, Nordic Gothic, Scottish Gothic, Welsh Gothic
Creatures: Animals, Ghosts, Vampires

My research focuses on the interplay between eighteenth-century Gothic and early modern literature in their representations of intersectional subalternities (gender, animality, and the non-human).

Email: dominiquemarrone2@gmail.com

Kaylee Cheyenne Jule Lamb

Affiliation: University of Florida

Research Areas:
Period: 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Queer Gothic, Gothic Gender
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Gothic Fashion
Genres and Media: Animation, Arts, Fiction, Film and TV, Children and YA, Games, Comics and Graphic Novels, Poetry
Regions and Cultures: Postcolonial Gothic, American Gothic, Black Gothic, Canadian Gothic, European Gothic
Creatures: Ghosts, Monsters, Vampires, Zombies

Kaylee Lamb is fifth year PhD student whose research centers on the relationality between Black and Indigenous Gothic.

Email: kaylee.lamb@ufl.edu

Zoe Zavrotny

Affiliation: University College Dublin

Research Areas:
Period: 19th Century Gothic, 20th Century Gothic
Gender: Gothic Masculinity
Genres and Media: Fiction
Regions and Cultures: Postcolonial Gothic, Irish Gothic
Creatures: Ghosts, Vampires

Zoe Zavrotny is a PhD student at University College Dublin completing a thesis on Irish Victorian horror literature as a form of life writing.

Email: zoezavrotny@gmail.com