CFP: Romanticism’s Commons

The North American Society for the Study of Romanticism (NASSR) is pleased to announce the theme of-and call for contributions to-their 2025 conference, which will be held online, accessibly, and hosted by Athabasca University, on August 14-16, 2025.

The North American Society for the Study of Romanticism (NASSR) is pleased to announce the theme of-and call for contributions to-their 2025 conference, which will be held online, accessibly, and hosted by Athabasca University, on August 14-16, 2025.

Romanticism’s Commons names a field for which we hope to solicit contributions to current studies in Romanticism from a transdisciplinary array of scholarly approaches and perspectives. This theme also resonates with and builds on those of previous NASSR conferences, like those focusing on mediations, openness, and technology, among others.

In everyday speech, “common” connotes something of sharing, and something of averageness; in the everyday speech of the long 19th century, the word also familiarly confers pejorative judgment on sharing or averageness deemed crude, inappropriate, promiscuous, and/or conspicuously gender-coded (as in patriarchy’s figure of a “common woman”). In legal discourse, the commons names territory or space that is publicly shared and accessed, de-propertized, or otherwise not privately enclosed. During the Romantic period, common lands continued to be enclosed or privatized by the ever-encroaching and -expanding private interests of industrial capital. Analogously, scholars and critics of intellectual property (IP) in the digital age argue that a new wave of enclosures now proceeds by way of increasingly strict and punitive copyright and other IP laws; these new enclosures threaten other kinds of cultural and archival commons, like the “public domain”–the cultural commons comprised of works whose copyrights have expired, forming a shared heritage and repertoire for new cultural production.

“Common” also means a myriad things for other discourses, etymologically, historically, and interculturally. NASSR invites scholars of Romantic-period literature and culture to consider our theme’s keywords in relation to your own researches, and to come together for a conversation about Romanticism’s commons, however theorized or reimagined.

Understood in the broadest terms possible, research on “Romanticism’s commons” can encompass topics like (but not limited to) the following:

·         Romanticism’s digital commons(es)

·         speaking in common tongues

·         “commonties” (Hogg): etymologies, discourses, genealogies

·         gendering, classing, and/or sexing what’s “common”

·         common Romanticism in pop culture

·         law, property, intellectual property: from enclosures to new enclosures

·         Romantic literature(s) and public domain(s)

·         common grounds: discourses and praxis of solidarity discourses

·         common knowledge(s), (un)common sense

Conference organizers are open to various forms of proposal:

Traditional proposals for 15-20-minute papers (250-word abstracts) submitted by individual NASSR members to the conference organizers.

Proposals for complete panels, special sessions, caucus sessions (with the roster of committed speakers and affiliations) for three 20-minute or four 15-minute papers (250-word abstracts for each paper accompanied by a cover letter describing the aims of the panel as a whole). All papers are subject to vetting by the organizing committee.

If you are interested in proposing a panel but are looking for participants, we encourage you to advertise your topic by sending an email to NASSR2025@proton.me or nassr.news@gmail.com.

Proposals for roundtables: please provide a description of the roundtable topic, including a title, with a list of committed panellists (with affiliations). Please note that the maximum number of roundtable members, including the chair, is six (6).

The deadline for all submissions (paper proposals, complete panels/special sessions/caucus sessions, and roundtables) is February 14, 2025.

Please send all submissions, together with a one-page CV — and/or direct questions — to the NASSR 2025 conference committee, chaired by Mark A. McCutcheon, at NASSR2025@proton.me

All submissions must include your name, academic affiliation, and preferred email address.

For further details i.e. keynotes, see the conference website: https://landing.athabascau.ca/pages/revision/25302637

Emma Kohen

Research Areas:
Period: 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Queer Gothic, Gothic Gender
Interdisciplinary Approaches: Folklore and Myth, Spirituality and Religion
Genres and Media: Arts, Fiction, Film and TV, Poetry, Theatre and Performance
Regions and Cultures: American Gothic, European Gothic
Creatures: Ghosts, Vampires

Creative writing PhD student researching all things queer Gothic literature.

Email: emmakohen@hotmail.com

Kristoffer S. Ekroll

Research Areas:
Period: 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Gothic Masculinity, Queer Gothic, Trans Gothic
Interdisciplinary Approaches: Technology, Medicine and Science
Genres and Media: Fiction, Film and TV
Regions and Cultures: American Gothic, European Gothic, Nordic Gothic
Creatures: Ghosts, Vampires

Kristoffer S. Ekroll is a recent  graduate from the University of California, Riverside English program. Researches the use of space, place, and architecture in primarily Nordic and Anglophone Gothic.

Email: krisekroll@live.com
Website: https://krisekroll.wordpress.com/

JJ Mokrzewski

Affiliation: York University

Research Areas:
Period: 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Gothic Masculinity, Queer Gothic
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Technology, Medicine and Science, Gothic Music, Gothic Fashion, Spirituality and Religion
Genres and Media: Animation, Arts, Fiction, Film and TV, Children and YA, Comics and Graphic Novels, Poetry, Theatre and Performance
Regions and Cultures: Postcolonial Gothic, American Gothic, Arctic Gothic, Asian Gothic, Canadian Gothic, European Gothic, Irish Gothic, Middle-Eastern Gothic, Nordic Gothic
Creatures: Aliens, Animals, Ghosts, Monsters, Vampires

JJ Mokrzewski is a writer, musician, and scholar from Toronto. She is currently pursuing an MA in Cinema and Media Studies at York University

Email: jjshevski@gmail.com

Valentýna Žišková

Affiliation: Charles University

Research Areas:
Period: 21st Century Gothic
Gender: Female Gothic
Interdisciplinary Approaches: Eco-Gothic, Technology, Medicine and Science
Genres and Media: Film and TV, Poetry, Virtual Gothic
Regions and Cultures: European Gothic
Creatures: Animals, Ghosts, Monsters, Vampires, Zombies

Valentýna Žišková is a PhD student in German and Slavic Studies, with a focus on contemporary Gothic, primarily in Eastern European literature.

Email: valentynaziskova@seznam.cz
Website: https://germanoslavistika.ff.cuni.cz/studium/doktorandi/valentyna-ziskova

Eleni Zeniou

Affiliation: Hellenic Open University

Research Areas:
Period: Early Modern Gothic, 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Gothic Masculinity, Queer Gothic, Trans Gothic, Gothic Gender
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Technology, Medicine and Science, Gothic Music, Gothic Fashion, Spirituality and Religion
Genres and Media: Animation, Arts, Fiction, Film and TV, Children and YA, Games, Comics and Graphic Novels, Poetry, Theatre and Performance, Tourism and Travel, Virtual Gothic
Regions and Cultures: Postcolonial Gothic, African Gothic, American Gothic, Antipodean Gothic, Arctic Gothic, Asian Gothic, Black Gothic, Canadian Gothic, Caribbean Gothic, Creole Gothic, European Gothic, Irish Gothic, Latin American Gothic, Middle-Eastern Gothic, Nordic Gothic, Scottish Gothic, Southern American Gothic, Tropical Gothic, Welsh Gothic
Creatures: Aliens, Animals, Ghosts, Monsters, Vampires, Zombies

Work status: EFL teacher
Studies: BA in Communication, Media & Culture / MA in Cultural Policy & Development / MSc in Cultural Organizations Management

Email: el.zeniou@gmail.com

Anna Kirsch

Affiliation: annakirsch94@yahoo.com

Research Areas:
Period: Early Modern Gothic, 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth
Genres and Media: Fiction, Film and TV
Regions and Cultures: American Gothic, European Gothic, Southern American Gothic, Tropical Gothic
Creatures: Animals, Ghosts, Monsters, Vampires

Anna Kirsch completed her PhD studies at Durham University. Additionally, Anna has served as a story consultant on four documentaries: Trading on Thin Air, Breath of Life, Living in the Future’s Past, and Hot Money. Living in the Future’s Past was produced and narrated by Academy Award Winner Jeff Bridges.

Georgie Kett

Research Areas:
Period: Early Modern Gothic, 18th Century Gothic, 19th Century Gothic, 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic, Gothic Masculinity, Queer Gothic, Trans Gothic, Gothic Gender
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth, Technology, Medicine and Science, Gothic Fashion, Spirituality and Religion
Genres and Media: Fiction, Film and TV, Children and YA, Comics and Graphic Novels, Poetry, Theatre and Performance, Virtual Gothic
Regions and Cultures: Postcolonial Gothic, American Gothic, Canadian Gothic, European Gothic, Irish Gothic, Scottish Gothic, Welsh Gothic
Creatures: Aliens, Animals, Ghosts, Monsters, Vampires, Zombies

Georgie Kett is a PhD in Gothic studies applicant with a creative/critical interest in the research area of Postfeminist Gothic.

Email: g.kett5@yahoo.co.uk

Abigale Mazzo

Affiliation: University of Tulsa

Research Areas:
Period: 20th Century Gothic, 21st Century Gothic
Gender: Female Gothic
Interdisciplinary Approaches: Eco-Gothic, Folklore and Myth
Genres and Media: Fiction, Film and TV
Regions and Cultures: Postcolonial Gothic, American Gothic
Creatures: Animals, Ghosts, Monsters

Abigale Mazzo (she/her) is currently pursuing a PhD in English Literature, building upon her Master of Fine Arts degree. Mazzo’s creative work has appeared in publications such as The Oklahoma Review, 580 Monthly, The Jelly Bucket, and The Gold Mine. Her dissertation research uses an Ecogothic lens to assess 20th and 21st century American novels depicting scenes of apocalypse to better understand social, cultural, and political movements in American history.

Email: abm3334@utulsa.edu

Chloé Bour-Lang

Affiliation: Université de Strasbourg

Research Areas:
Period: 21st Century Gothic
Gender: Female Gothic, Gothic Masculinity, Queer Gothic, Trans Gothic, Gothic Gender
Interdisciplinary Approaches: Eco-Gothic
Genres and Media: Arts, Fiction, Film and TV
Regions and Cultures: Postcolonial Gothic, American Gothic, Scottish Gothic, Southern American Gothic
Creatures: Animals, Ghosts, Monsters

PhD candidate and lecturer at the University of Strasbourg, working on (eco)spectral and ecoGothic representations of human and non-human animals in contemporary American literature.

Email: chloebourlang@gmail.com